In the United States, society places a premium on the ability to get things done in a timely fashion. This pragmatic way of being permeates many aspects of our personal and professional lives. In short, we are individually and collectively accustomed to moving with intent and resolve.
Our culture places a high value on people's expertise and abilities. We treasure having the right person with the right skill set and personality for a given responsibility. In fact, a whole industry is devoted to researching and finding the perfect candidate for a job. High-performance companies and institutions typically hire trusted firms to run job searches.
By Dave Luecking | firstname.lastname@example.org | twitter: @legacyCatholic
Recent headlines about the TRAPPIST-1 solar system and its seven Earth-sized planets have created quite a buzz among astrophysicists, astronomy lovers and the general population.
Surrounding a dwarf star, the system is relatively close at 40 light years from earth, and three of the planets are in the so-called habitable zone, which means a TRAPPIST-1 planet "easily could have developed a life form," Jesuit Father Robert J. Spitzer said Feb. 27 at Kenrick-Glennon Seminary.
In our culture, it's fairly common to move from one job or career to the next. The average person is accustomed to reinventing himself or herself to accommodate the demands of an ever-changing world. We know the importance of updating and upgrading our work skills and status. We network and share gifts and talents, especially with those who might ease our transition from one work environment to the next.
For many, cultural celebrations of a new year involve the familiar ritual of reviewing the past in order to prepare and plan for a better future. We identify concrete goals and resolutions that, hopefully, will become real in the coming year. Encouraged by friends, family and colleagues, we move forward with enthusiastic resolve and purpose.
By Katie Scott | (Portland) Catholic Sentinel | twitter: @KatieCScott
PORTLAND, Ore. — A burst of power from her legs carries Katherine Monogue across the dance floor while her arms become a blur of precise movements.
Under a black leotard worn during a rehearsal for a recent performance, the ballerina's stomach muscles flex, keeping the center of her body relatively still as her limbs rapidly extend and retract with control.
Monogue, the youngest professional dancer and only Catholic dancer in the Oregon Ballet Theatre, has a faith that similarly stabilizes the core of her life amid a rewarding but intense career.